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COOKEVILLE, Tenn. (Aug. 29, 2003) — Charles Faulkner Bryan was
the kind of teacher, composer and musician who touched many lives —
including the life of a biographer who never knew him.
Carolyn Livingston — a 1959 Tennessee Tech University music education
graduate whose biography, Charles Faulkner Bryan: His Life and Music,
has just been published by the University of Tennessee Press — said
she would have probably enjoyed being his student or colleague, though.
Bryan was the head of the music division from 1935 to 1939, when TTU
was still called Tennessee Polytechnic. He was the first Tennessee musician
to win a Guggenheim Fellowship and the first composer anywhere to write
a symphony based on white spirituals.
“I’ve long considered him to be a role model for my own teaching
and musicianship,” said Livingston, who is the director of graduate
studies in music at the University of Rhode Island.
She will make several book-signing stops in Tennessee in September, beginning
with one at Jackson’s Davis-Kidd at 6 p.m. on Wednesday, Sept. 17.
Other stops are as follows:
• Brentwood’s Barnes & Noble at 6 p.m. on Thursday, Sept.
18;
• McMinnville’s Southern Museum & Galleries of Photography,
Culture and History at 10 a.m. on Saturday, Sept. 20;
• Cookeville’s BookWorks at 2 p.m. on Sunday, Sept. 21;
• Knoxville’s Barnes & Noble at 7 p.m. on Monday, Sept.
22;
• Chattanooga’s Barnes & Noble at 7 p.m. on Tuesday,
Sept. 23;
• And the 15th Annual Southern Festival of Books: A Celebration
of the Written Word on Oct. 10-12 at Nashville’s War Memorial Plaza.
Livingston first learned of Bryan’s career from her mother, Myrtle
Lee Harris, who’d taken one of his classes when she was an education
student at TTU.
“It’s not an exaggeration to say Bryan’s name was a
household word in the home where I grew up,” she said.
It wasn’t until she was a graduate student at the University of
Florida around 1980, however, that she chose to write her dissertation
about Bryan. Even at its completion, her interest hadn’t been exhausted.
“He was ahead of his time because he, more than most musicians
then, drew music out of its discrete categories — like classical,
popular, folk and jazz,” Livingston said. “He also taught
his students that the culture they already possessed was as worthy as
any other and did not need to be discarded in order for them to become
educated persons.”
She continued to lecture and write articles about his career, and the
1995 discovery of some long-forgotten personal papers at his McMinnville
home gave her more than enough information for the book.
“Tennessee Tech University, as an institution of higher learning,
and the state of Tennessee have a right to be extremely proud of Charles
Faulkner Bryan,” Livingston said. “I hope my book will help
to make readers and music listeners alike aware of his many contributions
to American music.”
--Tracey LeFevre
This information posted 29 August 2003
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